Dark fantasy, also called fantasy horror, is a subgenre of literary, artistic, and cinematic fantasy works that incorporates disturbing and frightening themes. The term is ambiguously used to describe stories that combine horror fiction elements with one or other of the Fantasy trope.
Additionally, other authors, critics, and publishers have adopted dark fantasy to describe various other works. However, these stories rarely share universal similarities beyond supernatural occurrences and a dark, often brooding, tone. As a result, dark fantasy cannot be solidly connected to a defining set of tropes. The term itself may refer collectively to tales that are either horror-based or fantasy-based.
Some writers also use "dark fantasy" (or "Gothic fiction") as an alternative description to "horror", because they feel the latter term is too lurid or vivid.Stableford, Brian, "Horror", in The A to Z of Fantasy Literature,(p. 204), Scarecrow Press, Plymouth. 2005.
Dark fantasy is sometimes also used to describe stories told from a monster's point of view, or that present a more sympathetic view of supernatural beings usually associated with horror. Anne Rice's The Vampire Chronicles, Chelsea Quinn Yarbro's Saint-Germain, and Neil Gaiman's The Sandman are early examples of this style of dark fantasy. This is in contrast to the traditional horror model, which focuses more on the victims and survivors.
In a more general sense, dark fantasy is occasionally used as a synonym for supernatural Horror fiction, to distinguish horror stories that contain elements of the supernatural from those that do not. For example, a story about a werewolf or vampire could be described as dark fantasy, while a story about a serial killer would simply be horror.
Stableford suggests that the type of horror conveyed by fantasy stories such as William Beckford's Vathek and Edgar Allan Poe's The Masque of the Red Death "is more aesthetic than visceral or existential", and that such stories should be considered "dark fantasies" rather than the "supernaturalized thrillers" of conventional horror fiction.
Karl Edward Wagner is often credited for creating the term "dark fantasy" when used in a more fantasy-based context. Wagner used it to describe his fiction about the Gothic warrior Kane. Since then, "dark fantasy" has sometimes been applied to sword and sorcery and high fantasy fiction that features anti-heroic or morally ambiguous protagonists. Another good example under this definition of dark fantasy is Michael Moorcock's saga of the albino swordsman Elric.
The fantasy work of H. P. Lovecraft, Clark Ashton Smith and their emulators have been specified as "dark fantasy", since the imaginary worlds they depicted contain many horror elements.
Dark fantasy is occasionally used to describe fantasy works by authors whom the public primarily associates with the Horror fiction genre. Examples of these are Stephen King's The Dark Tower series, Peter Straub's ShadowlandClute, John and Grant, John. The Encyclopedia of Fantasy (2nd US edition). New York: St Martin's Griffin, 1999. and Clive Barker's Weaveworld. Alternatively, dark fantasy is sometimes used for "darker" fiction written by authors best known for other styles of fantasy; Raymond Feist's Faerie Tale and Charles de Lint's novels written as Samuel M. Key would fit here.
Roald Dahl's novel The Witches (and its film adaptations) is described as dark fantasy. Dahl's poetic reworking of "Cinderella" (which features in his poetry collection Revolting Rhymes) sees him upend the happy tale.
Attack on Titan is a dark fantasy for its intense violence and the dystopian world it takes place in.
Modern games from Japanese game development and publishing company FromSoftware are lauded as exceptional representations of the dark fantasy genre, notably the Dark Souls series along with Bloodborne and later Elden Ring.
Other media
Anime and manga
Films
Video games
See also
External links
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